Dove mi trovo

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Sono rimasta molto colpita da questa lettura, non pensavo proprio di trovare pagine e pagine di totale e completa solitudine e melanconia.... An unnamed narrator in an unnamed Italian city recounts a year in her life through a series of short, simple, quiet vignettes, each stamped by a "whereabout" in her life: In the Hotel; By the Sea; In My Head, At the Coffee Bar, etc. She is a university professor in her mid-forties, single, never married, mourning her father who died when she was fifteen, and feeling vaguely guilty about her aging mother, who also lives alone in another city. She's an understated introvert in an ebullient culture that values large groups of friends and family members, that prizes abundance in its art, music and food. She carefully segments her time to fill the spaces in her life: the hours at work, meals in local trattoria, twice-weekly swims, reading before bed, the weekend's empty hours when she can hide under the covers all day if she chooses. However I would stress that my Italian is almost non-existent - so this is less a criticism of the translation but of the resulting experience of an English reader.

Dove mi trovo (Italian Edition) by Jhumpa Lahiri | Goodreads

Potete creare dei links per personalizzare mappe Google da condividere con amici o clienti. Provate ora!. Mappe per cellulari Whereabouts" is a slender novel composed of a series of vignettes about an unnamed, introverted, female narrator. Jhumpa Lahiri wrote the book when she was living in Rome, and the chapter titles such as "At the Trattoria" and "In the Piazza" indicate an Italian setting. Would you have been able to enter into the life of your protagonist, the woman on the bridge, if you’d written this in English? Does the use of Italian change the way you understand her?I loved the style and content of short chapters that were like a lived in news report, personal, honest and self-effacing. The short articles have a continuity and a passing chronology that builds up into a bigger picture and lifts the prose beyond just random diary entries. I like the mention of books here and there. I love how the author mentions her love of books in most of her books. I can't get over how such a slender work can contain such multitudes. I read Whereabouts in an evening and through an hour's stretch of insomnia later that night. I was prepared not to enjoy this; I wasn't prepared to be so sad to see it end. Converti indirizzo in latitudine e longitudine : completa il campo indirizzo e clicca su “Trova Coordinate GPS” per ottenere le coordinate geografiche. Leggi il risultato fornito dal convertitore nella colonna di sinistra o direttamente sulla mappa. The story tells us about a woman in her 40s living life on her own, reflecting on the life she has lived so far.

Jhumpa Lahiri on Missing Rome | The New Yorker Jhumpa Lahiri on Missing Rome | The New Yorker

Lahiri taught creative writing at Boston University and the Rhode Island School of Design. Much of her short fiction concerns the lives of Indian-Americans, particularly Bengalis. re-read: I was curious to read Lahiri's self-translation, just to see whether I would like it us much as the original, and I can confirm that I did. I'm glad Lahiri translated the novel herself and I can't actually decide if I preferred this English translation or its original Italian version. Anyway, I loved re-experiencing the story through a different lens. And yet, even as I was writing, I felt shadowed by two questions: 1) when would the text be turned into English, and 2) who would translate it? These questions rose from the fact that I am also, and was for many years exclusively, a writer in English. And so, if I choose to write in Italian, the English version immediately rears its head, like a bulb that sprouts too early in mid-winter. Everything I write in Italian is born with the simultaneous potential—or perhaps destiny is the better word here—of existing in English. Another image, perhaps jarring, comes to mind: that of the burial plot of a surviving spouse, demarcated and waiting. Realising I was reading a novel in Dutch that was translated from the Italian written by a Bengali-American author who chose to leave the language she used to write in behind and express herself in a newly acquired foreign language, puzzled me and made me wonder if I was possibly reading Lahiri’s thoughts as if diluted through a double filter. Why an author would chose deliberately to substitute the precision instrument that is one’s mastery of a language for one that can only be a blunter one, rendering what is perhaps solely an approximate expression of one’s thoughts?

I would say it is melancholic at times, depressing at some parts and I would say I felt too bad about the silent loneliness throughout the whole book. Whereabouts is the latest novel by Jhumpa Lahiri that is captivating not only because of the beautiful prose but the dreamlike quality to the book as we follow an unknown narrator through an unknown city in Italy for an entire year. And the fifth shining star was given because Lahiri moved to Italy quite a few years ago embracing the country, the culture and the language. She wrote this book in Italian and then translated it herself into English. Brava Signorina!!! Rapporti internazionali in particolare elevando le relazioni con le economie emergenti, rafforzando il contributo italiano alla sicurezza internazionale e contribuendo alla sicurezza energetica del nostro Paese;

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As I was writing Dove mi trovo, the thought of it being anything other than an Italian text felt irrelevant. While writing, one must keep one’s eyes on the road, straight ahead, and not contemplate or anticipate driving down another. The dangers, for the writer as for the driver, are obvious.The story is about a lonely, unnamed woman in Italy, where Lahiri lived for several years. The narrator tells us early on, “I’m saturated by a vague sense of dread.” If publishing were just a little more savvy, every copy of “Whereabouts” would come with a coupon for online therapy. . . . I think what I love about this book is that there is an undercurrent of loneliness but never in a depressing way. I loved that the author focused on a single middle-aged woman without children who is seemingly good at her job and has built a live and home she likes for herself. Yes, it is clear she may have some regrets but there is peace about the way she decided to live her life and that for me was so affirming. Except that that is not what the original Italian says. A more accurate (and logical) translation would be: "Whenever my surroundings change I feel enormously sad. And if the place I leave behind is linked to memories, grief, or happiness, that does not magnify my sadness. It's the change itself that unsettles me[.]" Your story in this week’s issue, “ Casting Shadows,” opens on a bridge in an Italian city as a woman and a man meet. When did that image first come to mind? Jhumpa Lahiri moved to Italy in 2011 and it shifted her writing life as well. This book was published in Italy in 2018 as "Dove mi trovo," which translates as "Where I find myself." It was translated into English by the author and published in 2021.

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She knows them, sees them but she knows them more in her mind rather than confront them. It is more like the character owe each of these characters something but she never demanded from them. Jhumpa Lahiri turns the everyday into the vibrancy of life. The routine and familiar into aspects of intimacy and passion we would otherwise miss. I could spend time in the company of the narrator without thought of where else I needed to be. Now removed from her conversation I feel a sense of regret and loss. My favourite chapters are about the character and her mother. That's complicated but so well-written. The writing is very delicate, as Italian, I understand and feel her search for syntactically word by word., and i have read with tenderness some small words here and there still "unripe" in its typical construction. or the very correct use in the real Dante’s Italian, like "ambascia" or " vescicose" reading them warmed my heart.Her first novel, The Namesake, which follows the fortunes of “Gogol”, the son of Bengali immigrants, as he makes his way in New York, was made into a film by acclaimed director Mira Nair; and her second The Lowland, a family saga stretching from 1950s Calcutta to New England decades later, was shortlisted for the Booker prize in 2013. Although Whereabouts is a novel, it could be described almost as a collection of connected short stories, and so, in form at least, Lahiri is very much on home ground. She may be a traditionalist, but surely there is no bigger experiment for a writer than adopting an entirely new language? Like a 21st-century Henry James heroine, she shunned the US (the Brooklyn brownstone literary set, of which she was one of the most feted) for the old world charms of Rome, in what she describes as nothing less than an act of “literary survival”. “It is really hard to explain the forces in life that drive you to people, to places, to languages,” she says. “For me, to a language and then to a place and then to a new life, a new way of thinking, a new way of being. Those are very big things.” Whereabouts ( Italian: Dove mi trovo) is a 2018 novel by Jhumpa Lahiri. It is her third novel, her first since The Lowland (2013). It was originally written in Italian, and later translated into English by Lahiri herself. [1] Writing and development [ edit ] The main parts of the story is made of the people the character met in her life. Weird, selfish, manipulative people and problematic parents.